Revista de divulgación científica y difusión cultural, publicada y distribuida por la Universidad Juárez Autónoma de Tabasco a través de la División Académica de Educación y Artes.
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Social Representations of Street Vendors in Literature and Film
This diffusion article aims to show how literature and cinema represent street vendors and how these portrayals influence social perceptions of them. Using an ethnographic approach, an analysis is conducted of novels such as Pintada y ojerosa, La región más transparente, and ¡Me llaman la Chata Aguayo!, as well as films including Santa, Los olvidados, El Mil Usos, and El Grito de los Coyotes. This approach allows for an understanding of the social imaginaries surrounding informal commerce, considering both expressions of stigmatization and the vendors’ strategies of resistance and agency. The conclusions highlight that literary and cinematic representations function as diffusion tools that reveal the complexity of urban life and demonstrate how narratives contribute to shaping social perceptions. Keywords: informal commerce, cinema, literature, social imaginary
Copyright (c) 2026 Cinzontle https://creativecommons.org/licenses/by-nc-nd/4.0
El mercado azteca desde los conquistadores
La ciudad de Tenochtitlan y su mercado eran famosos por la variedad de productos que se vendían, sus bellos monumentos y sus ceremonias. De hecho, cada distrito de la ciudad tenía su propio pequeño mercado que servía como tienda de comestibles. Pero todos los meses se celebraba un gran e impresionante mercado. Se llamaba el Gran Mercado de Tenochtitlan.
Hasta hace algunos años, los libros de texto nos enseñaron el episodio histórico de la travesía del navegante genovés Cristóbal Colón que culminó el 12 de octubre de 1492 con el descubrimiento de América. Como un pasaje épico, nos sabíamos de memoria los nombres de las tres carabelas que surcaron el océano Atlántico buscando una nueva ruta para llegar a la costa oriental de Asia.
Proyecto Arte Accesible para Personas con Discapacidad Visual 2025
Es una iniciativa impulsada por ilumina, Ceguera y Baja Visión y financiada por Convocatoria de Desarrollo de Arte y Cultura de Banamex que busca garantizar el acceso pleno de las personas con discapacidad visual a la cultura y el arte, eliminando barreras físicas y sensoriales. El proyecto integra formación, sensibilización y recursos accesibles para transformar los recintos culturales en espacios inclusivos. Tras el éxito de su primera edición en 2024, esta segunda entrega se consolida como un referente en materia de accesibilidad cultural en México.
Stigma, discrimination, social exclusion and HIV-AIDS, more than four decades since its appearance
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiu9pSIpKOOAxU2M0QIHX57FeAQ3ewLegQIDRAV" aria-label="Translated text: The present work is a brief reflection on factors of discrimination and social exclusion of people who have contracted the human immunodeficiency virus (HIV) but who have not necessarily developed acquired immunodeficiency syndrome (AIDS). The first part touches on some aspects related to diseases that throughout history have been accompanied by stigma and prejudice and the second part addresses the situations of discrimination that these same people face despite the laws that have been established to eliminate it and despite also the more than 40 years that have passed since the appearance of the HIV virus and the first deaths from AIDS.">The present paper is a brief reflection on factors of discrimination and social exclusion of people who have contracted the human immunodeficiency virus (HIV) but who have not necessarily developed acquired immunodeficiency syndrome (AIDS). The first part touches on some aspects related to diseases that throughout history have been accompanied by stigma and prejudice and the second part addresses the situations of discrimination that these same people face despite the laws that have been established to eliminate it and despite also the more than 40 years that have passed since the appearance of the HIV virus and the first deaths from AIDS.
Copyright (c) 2025 Cinzontle https://creativecommons.org/licenses/by-nc-nd/4.0
Gestión de Riesgos Estratégicos en el Sur-Sureste de México: Un Campo con Oportunidad de Investigación
La gestión de riesgos estratégicos es un proceso que permite a las organizaciones afrontar diversas situaciones que puedan afectar sus objetivos y estrategias. En este documento se expondrán los avances más relevantes en la gestión de riesgos estratégicos en el ámbito empresarial, considerando el periodo de 2020 a 2025. Se realizó una búsqueda y revisión de artículos científicos en español e inglés, con enfoque cualitativo y exploratorio. El registro incluyó fuentes a nivel global, continental y nacional, con énfasis en empresas de la región sur-sureste de México. Los resultados muestran una escasa evidencia de estudios en dicha región, lo que indica una oportunidad para investigaciones futuras. Sin embargo, investigaciones de otras partes del mundo demuestran que las organizaciones que integran la gestión de riesgos estratégicos como parte de sus procesos adoptan diversas herramientas, metodologías y modelos ajustados a sus necesidades. Incluso las empresas de menor tamaño y con bajo nivel de madurez organizacional han comenzado a reconocer la importancia de una gestión adecuada de riesgos, percibiéndolos no solo como amenazas, sino como oportunidades de mejora y crecimiento.
Este es un ensayo sobre el proyecto de gestión cultural sobre la recuperación de la tradición del carnaval en la ciudad de Villahermosa.
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiu9pSIpKOOAxU2M0QIHX57FeAQ3ewLegQIDRAV" aria-label="Translated text: Viktor Fernandez He was born on July 18, 1985 in La Unión, Valle del Cauca, Colombia. He began painting, attending the workshop of master Jairo Rosas, at the age of 14; place where he ventured and obtained his first art samples, at the age of 17. After there, in 2022 he began his professional studies in plastic arts at the Departmental Institute of Fine Arts in the city of Cali, Colombia, where he currently continues his studies. His works are classified into three main themes; which are: bullfighting, landscape and kinetic. Throughout his career he has participated in several national and international exhibitions such as: La Cometa Gallery Auction, Bogotá, Colombia, 2006; La Unión Valle Mayor's Office, La Unión, Valle del Cauca, Colombia, 2017; Inside the color, Cali, Colombia, 2019; Bullfighting Expo, Manizales, Colombia, 2018; Colombia Tierra Querida, Miami, USA, 2022; Arte Anima Latina, Perugia, Italy, 2024; among others.">Viktor Fernandez He was born on July 18, 1985 in La Unión, Valle del Cauca, Colombia. He began painting, attending the workshop of master Jairo Rosas, at the age of 14; place where he ventured and obtained his first art samples, at the age of 17. After there, in 2022 he began his professional studies in plastic arts at the Departmental Institute of Fine Arts in the city of Cali, Colombia, where he currently continues his studies. His works are classified into three main themes; which are: bullfighting, landscape and kinetic. Throughout his career he has participated in several national and international exhibitions such as: La Cometa Gallery Auction, Bogotá, Colombia, 2006; La Unión Valle Mayor's Office, La Unión, Valle del Cauca, Colombia, 2017; Inside the color, Cali, Colombia, 2019; Bullfighting Expo, Manizales, Colombia, 2018; Colombia Tierra Querida, Miami, USA, 2022; Arte Anima Latina, Perugia, Italy, 2024; among others.
Esta investigación examina el papel fundamental de los traductores e intérpretes en la diplomacia, enfatizando su importancia en la facilitación de una comunicación efectiva a través de barreras lingüísticas en las relaciones internacionales. El estudio explora sus responsabilidades, funciones e impacto en los intercambios diplomáticos y asuntos globales. Profundiza en la ausencia de un idioma específico para la diplomacia, enfatizando la relevancia contextual de los idiomas en las interacciones diplomáticas. Destacando contextos históricos y la evolución de las prácticas diplomáticas, esta investigación destaca el papel crítico del traductor e intérprete en garantizar una comunicación precisa y matizada. La investigación tiene como objetivo abordar la importancia del traductor e intérprete en el ámbito diplomático, así como la de los idiomas en las reuniones diplomáticas y las repercusiones de los errores de traducción e interpretación en las relaciones diplomáticas.
The nightmare as art. Aesthetics of the sinister in two oil paintings by José Luis Carranza
El ensayo filosófico plantea como tesis única que la obra pictórica del artista visual peruano contemporáneo José Luis Carranza, representa una estética de lo siniestro teñida por el concepto de una belleza irracional. Considerado un trabajo, además, de caso único, se seleccionaron dos obras recientes del artista sudamericano: Maximilien y Díptico, sobre las que se aplicó una breve hermenéutica filosófica. Con los aportes de la teoría de lo siniestro y el reconocimiento de una sensibilidad similar en las pinturas de Schiele y Freud, se llega a la conclusión de que la discutible belleza que podría existir en las obras de Carranza, parece provenir de una especie de inframundo de lo onírico y lo grotesco. Más allá de constatar la tesis inicial, resulta imprescindible sugerir la implicancia de otros conceptos para comprender de modo más intrínseco y con mayor verosimilitud la obra del peruano, como son los de Neobarroco, Bad painting, Terror arte o Neosurrealismo.
Rodrigo Rey Rosa: El lujo de escribir es crear historias, el éxito viene o no.
Entrevista con el escritor guatemalteco Rodrigo Rey Rosa, realizada en 2016, en la que se exploran diversos aspectos de su carrera literaria y su visión del mundo. En esta conversación, Rey Rosa reflexiona sobre sus primeros trabajos, los elementos que lo inspiraron a embarcarse en el camino de la escritura y cómo esa decisión ha moldeado su vida. También comparte sus pensamientos sobre el oficio de escribir, qué lo motiva a seguir creando y sus aspiraciones respecto a su obra y su impacto en los lectores. La entrevista también aborda de manera significativa la forma en que el escritor percibe la realidad de Guatemala, su tierra natal, y cómo esa visión se refleja en sus libros. A través de sus relatos, Rey Rosa da cuenta de las complejidades, contradicciones y tensiones sociales que atraviesan su país, ofreciendo una perspectiva única y profunda sobre la situación política, social y cultural de la región. En última instancia, la entrevista proporciona una mirada pequeña pero completa a su carrera, preocupaciones literarias y compromiso con el contexto en el que vive.
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiT0bHqx6OOAxXRD0QIHTaQE9sQ3ewLegQIDRAV" aria-label="Translated text: The Heart of the Beast is the latest book published by the Tabasco writer, Vicente Gómez Montero. This time, he wrote a script for theater (in 3 acts) that has already been staged in some cultural spaces in Villahermosa. In order to get to know not only the work but also the author and promoter of the local narrative, this review of the work published by the Bibliófagos publishing house was written.">The Heart of the Beast is the latest book published by the Tabasco writer, Vicente Gómez Montero. This time, he wrote a script for theater (in 3 acts) that has already been staged in some cultural spaces in Villahermosa. In order to get to know not only the work but also the author and promoter of the local narrative, this review of the work published by the Bibliófagos publishing house was written.
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjl4KWWhZyKAxVKBUQIHVNHIcMQ3ewLegQIFRAU" aria-label="Texto traducido: Poet, singer and producer, born in Quito Ecuador. Artist who has known how to cultivate music and poetry with equal care, however, his love for music has not left aside his second passion, which is writing. She was awarded the Jorge Carrera Andrade National Poetry Prize. One of his most recognized books is The Consequent Fiera.">Poet, singer and producer, born in Quito Ecuador. Artist who has known how to cultivate music and poetry with equal care, however, his love for music has not left aside his second passion, which is writing. She was awarded the Jorge Carrera Andrade National Poetry Prize. One of his most recognized books is The Consequent Fiera.
Copyright (c) 2024 Cinzontle https://creativecommons.org/licenses/by-nc-nd/4.0
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjZhPm3np-LAxWh_8kDHaRVPcAQ3ewLegQIDhAV" aria-label="Texto traducido: Beatriz Pérez Pereda was born in Tabasco, Mexico in 1983. She is the Carlos Pellicer Ibero-American Fine Arts Poetry Prize for published work 2023, the Carmen Alardín National Poetry Prize 2022, the Óscar Oliva Poetry Prize 2022, the Dolores Castro Poetry Prize 2021, among others. His most recent books are Chronicles towards Pluto (ITAC, 2022) and Persona no humano (CONARTE, 2022). He teaches reading and writing workshops, interviews authors for the cultural supplement La Gualdra. He studied literary creation and law.">Beatriz Pérez Pereda was born in Tabasco, Mexico in 1983. She is the Carlos Pellicer Ibero-American Fine Arts Poetry Prize for published work 2023, the Carmen Alardín National Poetry Prize 2022, the Óscar Oliva Poetry Prize 2022, the Dolores Castro Poetry Prize 2021, among others. His most recent books are Chronicles towards Pluto (ITAC, 2022) and Persona no humano (CONARTE, 2022). He teaches reading and writing workshops, interviews authors for the cultural supplement La Gualdra. He studied literary creation and law.
We are like boats rowing the river of infinity
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjZhPm3np-LAxWh_8kDHaRVPcAQ3ewLegQIDhAV" aria-label="Texto traducido: Historical chronicle. This 2024 marks 140 years since the mysterious death of the young Josefina Pannier. In "We are like boats rowing the river of the infinite", a text halfway between historical research, narrative and journalistic chronicle, the author recreates the details of a tragic love developed in ancient San Juan Bautista.">Historical chronicle. This 2024 marks 140 years since the mysterious death of the young Josefina Pannier. In "We are like boats rowing the river of the infinite", a text halfway between historical research, narrative and journalistic chronicle, the author recreates the details of a tragic love developed in ancient San Juan Bautista.
VERDAD Y POLÍTICA Acercándonos a Hannah Arendt
Verdad y política es una de las discordancias más dramáticas de la vida contemporánea y la gran teórica política alemana del siglo XX, Hannah Arendt nos descifra claramente esta contradicción en tiempos en los que, en el mundo, la verdad pareciera estar ausente en muchos escenarios políticos. Arendt, refiere que hay una enorme vulnerabilidad en cuanto a la relación de la verdad con la política ya que la verdad, históricamente está desasociada de la política, la mentira se ha convertido en una herramienta de uso justificable en la vida del político y en general en la vida del estado. La verdad es absoluta, coercitiva, excluyente y singular, en cambio en muchos ámbitos de la política, la opinión de los hechos se sobrepone incluso por la realidad. Hija de padres judíos laicos, nació en Linden (hoy día parte de Hanover) y creció en Königsberg (ciudad natal de su admirado precursor Emmanuel Kant) y Berlín. Estudió filosofía con Martin Heidegger en la Universidad de Marburgo, con quien tuvo una larga y esporádica relación romántica, lo que le valió críticas debido a las afinidades de él con el Partido Nazi. Durante uno de sus cortes, Arendt se mudó a Heidelberg para escribir un ensayo sobre el concepto de amor en el pensamiento de Agustín, bajo la dirección del filósofo y psiquiatra existencialista Karl Jaspers. En sus trabajos, Arendt trata sobre la naturaleza del poder y temas como la política, la autoridad y el totalitarismo en general y sobre la Shoa. Sus finos análisis sobre la sociedad que la rodeaba la encumbran como una de las más grandes pensadoras de todos los tiempos. Su reporte sobre el juicio a Eichmann para el diario The New Yorker, publicado luego bajo el título Eichmann en Jerusalén, discute la problemática de la maldad. También escribió Los Orígenes del Totalitarismo, donde investigó los orígenes del comunismo y del fascismo y su conexión con el antisemitismo; libro controvertido debido a su comparación de dos modelos considerados, por algunos, antagónicos.
THE SENSE OF BELONGING IN EDUCATION, A PILLAR FOR THE TRANSFORMATION OF TABASCO
Sense of belonging refers to the human emotional need to affiliate with and be accepted by members of a group.; They are part of it. This allows us to develop pride, pride about what we are, in our roots; with this feeling, people try to care for and preserve their environment in such a way that he helps to make their own community develop, they participate positively in its changes, helps the governments. However, if we not promote and open doors to learning, teaching and disseminating our traditions and customs, we have a society disinterested in its surroundings and environment that tries to find other groups to integrate. he. This is why it is important to promote our history and traditions in our basic education and to involve citizens respecting their culture to ensure the success in the development of our communities and cities.
Between social dominance and empowerment feminine there is still a gap to close.
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjGraGj6ZSKAxVZJEQIHURGHBEQ3ewLegQIDhAU" aria-label="Texto traducido: A reflection is presented on the gender gap that exists so that women can generate agency and, consequently, talk about empowerment. This is due to factors based on social dominance. Power relations are an inherent topic in gender studies because it is through this form of domination over others that discrimination is generated. This, based on the social need for the establishment of hierarchies for control and unequal treatment between people and groups. It is still necessary to close the gap of inequality and exclusion for people who are still immersed in categories of inferiority due to their age, religion, sexual orientation, social origin and language, which produces discrimination. In Mexico it is a serious problem because the ideas of classism, homophobia, xenophobia that have already done enough damage remain, relegating people from actively participating in the construction of an egalitarian society, where the rights established by the Mexican Constitution really apply to everyone. and all, as stipulated in its first article.">A reflection is presented on the gender gap that exists so that women can generate agency and, consequently, talk about empowerment. This is due to factors based on social dominance. Power relations are an inherent topic in gender studies because it is through this form of domination over others that discrimination is generated. This, based on the social need for the establishment of hierarchies for control and unequal treatment between people and groups. It is still necessary to close the gap of inequality and exclusion for people who are still immersed in categories of inferiority due to their age, religion, sexual orientation, social origin and language, which produces discrimination. In Mexico it is a serious problem because the ideas of classism, homophobia, xenophobia that have already done enough damage remain, relegating people from actively participating in the construction of an egalitarian society, where the rights established by the Mexican Constitution really apply to everyone. and all, as stipulated in its first article.
Peace processes, training processes horizontals and a decolonial look.
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwj64Nua1ZOKAxVNBEQIHd0ZD_sQ3ewLegQIDhAV" aria-label="Texto traducido: Historically as a Westernized, heteronormative, colonialized society, human ties have been built from an individualizing stance, reifying relationships between people, naturalizing violence. However, reflections and spaces have been generated that seek to strengthen peaceful awareness and action, both ethical and human responsibility, such as training processes in social relationships; That is, they not only involve dynamics within educational institutions, but also the way we live every day. We want to reflect and position ourselves based on the possibilities and tools that promote the construction of peace processes and training processes with a decolonial perspective.">Historically as a Westernized, heteronormative, colonialized society, human ties have been built from an individualizing stance, reifying relationships between people, naturalizing violence. However, reflections and spaces have been generated that seek to strengthen peaceful awareness and action, both ethical and human responsibility, such as training processes in social relationships; That is, they not only involve dynamics within educational institutions, but also the way we live every day. We want to reflect and position ourselves based on the possibilities and tools that promote the construction of peace processes and training processes with a decolonial perspective.
Educational attention to the outstanding student in Mexico
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwj64Nua1ZOKAxVNBEQIHd0ZD_sQ3ewLegQIDhAV" aria-label="Texto traducido: The objective of this article is to describe the characteristics of the attention provided to outstanding students in the field of education in Mexico, based on a historical review of the most relevant events to consolidate this work, as well as the presentation of the theoretical models. that explain outstanding aptitude. To comply with this, a description of the events that have given rise to the study of students considered with outstanding aptitudes in our country is presented, resulting in the importance of their study and attention from an inclusive perspective in education. First, a historical review is presented that, chronologically, mentions the programs that have been implemented in our country to provide care to this population, considering their origin in attempts framed in special education. Subsequently, the main theoretical models that have studied outstanding aptitude are explained, highlighting performance-oriented models, cognitive models and sociocultural models. Finally, the relationship that this type of work has with inclusive education and its importance is explained.">The objective of this article is to describe the characteristics of the attention provided to outstanding students in the field of education in Mexico, based on a historical review of the most relevant events to consolidate this work, as well as the presentation of the theoretical models. that explain outstanding aptitude. To comply with this, a description of the events that have given rise to the study of students considered with outstanding aptitudes in our country is presented, resulting in the importance of their study and attention from an inclusive perspective in education. First, a historical review is presented that, chronologically, mentions the programs that have been implemented in our country to provide care to this population, considering their origin in attempts framed in special education. Subsequently, the main theoretical models that have studied outstanding aptitude are explained, highlighting performance-oriented models, cognitive models and sociocultural models. Finally, the relationship that this type of work has with inclusive education and its importance is explained.
Igniting the surfaces: Ephemeral writings on artistic photography in Tabasco
Photography as a discipline in Tabasco has a broad tradition from a technical and social standpoint, but not when viewed from a conceptual and discursive aproximation. This essay proposes a brief historical and contextual overview, establishing a classification of four generations of visual artists and photographers who have contributed to lay the ground for a movement of contemporary photography in Tabasco.
Description of my experience at the “PONCE 243: Complete piano work” festival
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjGraGj6ZSKAxVZJEQIHURGHBEQ3ewLegQIDhAU" aria-label="Texto traducido: The multifaceted plastic artist Tomás Martínez Mejía was born on March 7, 1969 in Villahermosa, Tabasco, Mexico. In 1991, he began studying fine arts at the José Gorostiza House of Arts, taking different courses and diplomas that enriched his career. In addition, he stood out as a teacher teaching different painting, sculpture and engraving courses throughout his career and due to his great artistic talent he participated as a jury in different competitions and artistic disciplines both in Tabasco and nationally.">The multifaceted plastic artist Tomás Martínez Mejía was born on March 7, 1969 in Villahermosa, Tabasco, Mexico. In 1991, he began studying fine arts at the José Gorostiza House of Arts, taking different courses and diplomas that enriched his career. In addition, he stood out as a teacher teaching different painting, sculpture and engraving courses throughout his career and due to his great artistic talent he participated as a jury in different competitions and artistic disciplines both in Tabasco and nationally.
Jalpaneca Aristocracy, the popular poem by Salomé Taracena Gallegos
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjGraGj6ZSKAxVZJEQIHURGHBEQ3ewLegQIDhAU" aria-label="Texto traducido: When I was studying primary school in this city of Villahermosa, for the first time I heard the nice and popular poem Aristocracia Jalpaneca, original by Salomé Taracena Gallegos, the famous “Melenudo Negro”. Almost always at the school celebrations of those years, throughout Tabasco, one could hear this exhilarating poem written in octosyllabic verses, full of substance, humor, mischief and biting criticism, which was liked by all audiences.">When I was studying primary school in this city of Villahermosa, for the first time I heard the nice and popular poem Aristocracia Jalpaneca, original by Salomé Taracena Gallegos, the famous “Melenudo Negro”. Almost always at the school celebrations of those years, throughout Tabasco, one could hear this exhilarating poem written in octosyllabic verses, full of substance, humor, mischief and biting criticism, which was liked by all audiences.
The objective of this article is to make a qualitative analysis of otaku culture from a transdisciplinary approach in which historical, social and symbolic perspectives are involved.
Power relationship in human rights with dignity of the adolescent in Mexico.
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Traducción" data-ved="2ahUKEwjGraGj6ZSKAxVZJEQIHURGHBEQ3ewLegQIDhAU" aria-label="Texto traducido: The complex relationship between power and dignity of adolescents in Mexico, highlighting human rights violations. Even more so is the lack of effective implementation of laws that protect adolescents, as well as the stigmatized perception that authorities have about them. Despite regulatory advances, the implementation of regulations that protect this group remains deficient, which restricts their ability to fully exercise their rights and maintain their dignity. Through a structuralist and realistic legal analysis, the study evaluates the effectiveness of the legal system and reveals significant obstacles in the application of public policies. The stigmatized perception that authorities have towards adolescents is criticized and a collaborative approach between various social actors is proposed to improve the situation. The importance of international instruments is mentioned, such as the Convention on the Rights of the Child and other covenants, which recognize specific rights for adolescents and establish protection mechanisms. Highlights the urgency of strengthening the protection of adolescent dignity, emphasizing that, although legal frameworks exist, the actual practice by institutions remains insufficient, which shows the vulnerability and the need to make effective the tangible rights of adolescents in Mexico.">The complex relationship between power and dignity of adolescents in Mexico, highlighting human rights violations. Even more so is the lack of effective implementation of laws that protect adolescents, as well as the stigmatized perception that authorities have about them. Despite regulatory advances, the implementation of regulations that protect this group remains deficient, which restricts their ability to fully exercise their rights and maintain their dignity. Through a structuralist and realistic legal analysis, the study evaluates the effectiveness of the legal system and reveals significant obstacles in the application of public policies. The stigmatized perception that authorities have towards adolescents is criticized and a collaborative approach between various social actors is proposed to improve the situation. The importance of international instruments is mentioned, such as the Convention on the Rights of the Child and other covenants, which recognize specific rights for adolescents and establish protection mechanisms. Highlights the urgency of strengthening the protection of adolescent dignity, emphasizing that, although legal frameworks exist, the actual practice by institutions remains insufficient, which shows the vulnerability and the need to make effective the tangible rights of adolescents in Mexico.
Función de las galerías en la difusión de las artes plásticas en Tabasco
El objetivo de este estudio es analizar la función que tiene las galerías de arte en la difusión de las artes plásticas en el estado de Tabasco, para ello se usó el estudio de caso de la galería El Jaguar despertado. La metodología empleada fue investigación documental, así como la observación no participante teniendo como unidad de análisis la información recogida en diversos documentos y del trabajo de campo realizado. Entre los hallazgos destaca que esta galería como instancia pública gubernamental sí ejerce la función de ser un espacio accesible para los artistas tabasqueños que buscan promoverse y participar activamente en el mercado de arte como medio laboral. Cuentan con un mecanismo de medios muy reducido porque solo se limitan a las redes virtuales institucionales lo cual evita que el alcance sea masivo y puedan convertirse en público consumidor de arte. Se sugiere que diversifiquen sus mecanismos de promoción y que creen otras actividades que inciten al interés y asistencia de la sociedad.